ImageImageDONMAR

STRICTLY LIMITED RUN
FROM 1 OCTOBER 2024

ALL HAIL, MACBETH.

David Tennant and Cush Jumbo return to their landmark performances in Shakespeare’s most extraordinary psychological drama.

Unsettling intimacy and brutal action combine at breakneck speed as Max Webster directs the tale of love, murder, and nature’s power of renewal.  Groundbreaking sound design and live Celtic folk music (all played through lightweight headphones provided) immerse the audience in every whisper, cry and thought.

Featuring the original company of the sold out Donmar Warehouse season, this unforgettable staging will now play a strictly limited run at London’s Harold Pinter Theatre from 1 October 2024.

PUBLIC BOOKING NOW OPEN

For every performance, a third of the tickets are priced at £35 or under with the front row available for purchase on the day of performance at £25.  Further details about Day Seats will be confirmed closer to the run.

In addition, the Donmar will extend its Donmar LOCAL programme to the West End, with free tickets for young people from up to ten schools in Camden and Westminster.

To avoid missing out, click here to sign up as a Donmar member from £75 a year and receive priority booking until 10AM Thursday 25 April.
★★★★★ 
‘David Tennant is tremendous and superbly partnered by Cush Jumbo. The rich aural concept emphasises the eerie brilliance of Shakespeare’s dark, image-laden text.'
Financial Times 
★★★★★ 

‘An act of risk-taking theatre that also feels darkly, magically, like real-life. It’s as if the play is being discovered for the first time.’
‘Cush Jumbo is terrific throughout, at once thoughtful and heartless.’

Daily Telegraph
★★★★★ 
‘David Tennant thrills in a production full of wolfish imagination and alarming surprise. Cool, cocky and utterly arresting.’
Guardian
‘I emerged after two hours utterly exhilarated: it was the finest, most magnetic Macbeth I’d ever seen, and the headphones proved thrillingly integral to so internal a play.’
David Benedict, The Stage
★★★★
‘Excitingly fuses tremendous acting from David Tennant and Cush Jumbo with cutting-edge sound.’
Observer
★★★★
‘A compellingly ritualistic production. David Tennant is simply hypnotic – his blood-spattered usurper more than lives up to expectations.’
The Times
★★★★
‘Thrilling set piece after thrilling set piece, the production blasts out in under two hours.’
Time Out
★★★★
‘Never for a moment can you tear your attention away.’
WhatsOnStage
★★★★
‘David Tennant and Cush Jumbo are throat-clenchingly intense. A production of galvanising flair and originality.’
The Stage
★★★★
‘Throws convention out of the window, and it’s all the better for it. David Tennant and Cush Jumbo are both electrifying.’
Gay Times
Cast: Moyo Akandé, Annie Grace, Brian James O’Sullivan, Cush Jumbo, Casper Knopf, Cal MacAninch, Kathleen MacInnes, Alasdair Macrae, Rona Morison, Noof Ousellam, Raffi Phillips, Jatinder Singh Randhawa, David Tennant, Ros Watt, and Benny Young.

Director: Max Webster
Designer: Rosanna Vize
Lighting Designer: Bruno Poet
Sound Designer: Gareth Fry
Movement Director: Shelley Maxwell
Composer & Musical Director: Alasdair Macrae
Fight Directors: Rachel Bown-Williams and Ruth Cooper-Brown of Rc-Annie Ltd
Casting Director: Anna Cooper CDG

SOUND AND HEADPHONES

This production of Macbeth uses binaural stereo to create a 3D soundscape. Wearing headphones is a critical aspect of the show, and some of the dialogue will not be audible without them.

A pair of wired on-ear headphones is installed on each audience member’s seat and in wheelchair spaces. These headphones are very lightweight with foam ear-pads for comfort. The headphones do not have a volume control and all headphones are at the same volume. Our sound engineers ensure that the volume remains at a balanced and safe volume. If you have a sensitivity to loud volumes we can provide a system that can be turned down manually. The ear pads are regularly changed and cleaned.

Stereo sound and on-ear headphones may not suit everyone’s hearing needs. A sound check plays in the auditorium before the show starts allowing you to test out what works for you. We have a range of alternative options to help everyone get the best experience of the show, and we have a team in the auditorium to help find the best solution for you from the list below.

There is no need to pre-book alternative listening options, but if you have any concerns or specific requirements other than those available below, please let the box office know in advance. We advise you to take your seats at least 15-20 minutes before the start of the performance to ensure we have time to make sure everything is working correctly.

Alternative listening options

Over Ear Headphones – If you normally wear a behind-the-ear hearing aid, we can provide over ear headphones like these. In most cases, this is the best solution as the hearing aid microphone is encompassed within the headphones and so will pick up the sound without any adjustment to the hearing aid being needed.

Hearing Aids with direct input – Some hearing aids have provision for a direct sound feed via 3.5mm mini-jack. We can provide a standard 3.5mm stereo mini jack socket to plug this into.Direct input cables are bespoke to different hearing aids, so please bring your cable with you if you have one.

Induction loop support – We can provide an induction loop system, which is worn around the neck. However, induction loop sound is often not always of optimum quality, so audience members might prefer to use other means of listening where possible.

Bluetooth transmitter – Some hearing aids can connect to Bluetooth, and we can provide a personal Bluetooth transmitter to connect to your hearing aid. Bluetooth connections are typically quite high quality but can introduce a small delay to the audio. Our team will know how to set our personal Bluetooth transmitters, but please brush up on how to use the Bluetooth function on your hearing aid to pair to a device. This process can take some time so please arrive half an hour before the performance begins to allow time for this. Whilst some hearing aids can connect to a phone using bluetooth, not all of them are capable of connecting to a bluetooth transmitter - please check with your manufacturer.

Volume booster – A set of headphones with a volume booster can be provided.

Independent volume control - The above options can also be used with a volume control that can allow the volume to be reduced in the left and/or right ears separately.

Mono dialogue enhanced mix - All of the above options can be provided with either a binaural stereo mix; or a mono mix where the sound is identical in the left and right headphones. The mono mix has the music and sound effects at a slightly quieter volume to allow the dialogue to be more clearly perceived.

For patrons with mysophobia, a sealed bag with a pair of sanitised wireless headphones and receiver pack can be provided. It might be possible to bring your own headphones so long as they have a TRS plug – but we can’t guarantee they will work. A TRRS plug is not compatible with our systems.